Suzanne takes you down to her place near the river
You can hear the boats go by
You can spend the night beside her
And you know that she's half crazy
But that's why you want to be there
And she feeds you tea and oranges
That come all the way from China
And just when you mean to tell her
That you have no love to give her
Then she gets you on her wavelength
And she lets the river answer
That you've always been her lover
And you want to travel with her
And you want to travel blind
And you know that she will trust you
For you've touched her perfect body with your mind.
And Jesus was a sailor
When he walked upon the water
And he spent a long time watching
From his lonely wooden tower
And when he knew for certain
Only drowning men could see him
He said "All men will be sailors then
Until the sea shall free them"
But he himself was broken
Long before the sky would open
Forsaken, almost human
He sank beneath your wisdom like a stone
And you want to travel with him
And you want to travel blind
And you think maybe you'll trust him
For he's touched your perfect body with his mind.
Now Suzanne takes your hand
And she leads you to the river
She is wearing rags and feathers
From Salvation Army counters
And the sun pours down like honey
On our lady of the harbour
And she shows you where to look
Among the garbage and the flowers
There are heroes in the seaweed
There are children in the morning
They are leaning out for love
And they will lean that way forever
While Suzanne holds the mirror
And you want to travel with her
And you want to travel blind
And you know that you can trust her
For she's touched your perfect body with her mind.
You can spend the night beside her
And you know that she's half crazy
But that's why you want to be there
And she feeds you tea and oranges
That come all the way from China
And just when you mean to tell her
That you have no love to give her
Then she gets you on her wavelength
And she lets the river answer
That you've always been her lover
And you want to travel with her
And you want to travel blind
And you know that she will trust you
For you've touched her perfect body with your mind.
And Jesus was a sailor
When he walked upon the water
And he spent a long time watching
From his lonely wooden tower
And when he knew for certain
Only drowning men could see him
He said "All men will be sailors then
Until the sea shall free them"
But he himself was broken
Long before the sky would open
Forsaken, almost human
He sank beneath your wisdom like a stone
And you want to travel with him
And you want to travel blind
And you think maybe you'll trust him
For he's touched your perfect body with his mind.
Now Suzanne takes your hand
And she leads you to the river
She is wearing rags and feathers
From Salvation Army counters
And the sun pours down like honey
On our lady of the harbour
And she shows you where to look
Among the garbage and the flowers
There are heroes in the seaweed
There are children in the morning
They are leaning out for love
And they will lean that way forever
While Suzanne holds the mirror
And you want to travel with her
And you want to travel blind
And you know that you can trust her
For she's touched your perfect body with her mind.
Suzanne Verdal, a young and beautiful, bohemian dancer who had just graduated from high school, moved in the Beat world of Montreal in the early Sixties, where she met and married sculptor Armand Vaillancourt. As the decade progressed, they became part of the Montreal arts scene of which the still unknown Cohen also was a part. The two met at Le Bistro, a coffee house on rue de la Montagne. Actually, Suzanne remembers that their first meeting was at Le Vieux Moulin four years earlier, but no connection was made between them. She was, after all, the wife of one of his friends.
"There was a woman named Suzanne," Cohen remembers, "who was the wife of a friend of mine, Armand Vaillancourt, who is a great Montreal sculptor, still a friend of mine, and his wife was Suzanne Vaillancourt. She invited me down to her place near the river, and she did serve me constant tea filled with little pieces of orange."When Suzanne and her husband separated, she and their young daughter Julie moved into a place with crooked floors, on Rue de la Commune on the waterfront in Old Montreal. (It's now a boutique hotel, Auberge de la Place Royale.) Cohen heard about it and began visiting her and they sat up late into night talking in candlelight about poetry, religion, and life.
"It was a very private thing that I felt like I had with Leonard," Suzanne recalls. "It was kind of like a very 'sympathical' wavelength thing - that we would read each other's minds. We were very in tune with each other."One of the questions that always arises around this song is, were they lovers? Both maintain that they were not, that they didn't want to compromise the intellectual and spiritual purity of their friendship with sex. As someone who has known a friendship or two like that, I believe them.
"It's not just the copulation," Cohen said. "It is the whole understanding that we are irresistibly attracted to one another, and we have to deal with this. We are irresistibly lonely for each other, and we have to deal with this, and we have to deal with our bodies and with our hearts and souls and minds, and it's an urgent appetite."
"I was the one that put the boundaries on that," Suzanne said, "because Leonard is actually a very sexual man and very attractive and very charismatic. And I was very attracted to him, but somehow I didn't want to spoil that preciousness, that infinite respect that I had for him, for our relationship, and I felt that a sexual encounter might demean it somehow.""Suzanne" was initially a poem, but people kept telling Cohen to make a song of it. Who knew that song would become his signature piece, and a monumental work of art? Soon after, everyone, it seems, began covering the song and Suzanne, the person, took on the mythology of The Muse whether she wanted to or not. By the time the song became a hit under the cover by Judy Collins the muse and the poet were no longer in contact with each other. Fame took Cohen from Montreal and Suzanne worked at building her career as a respected dancer and choreographer. Eventually, she went to San Francisco and Los Angeles, where she worked to become a choreographer for music videos.
Tragedy struck when Suzanne suffered a catastrophic injury (some reports say it was a fall from a ladder onto concrete and some say it was an auto accident) that broke her back and both wrists. Her dancing career over, she was homeless for a number of years during the 90s in Venice Beach, California, living in a wood-shingled pickup camper with four homeless cats and dancing with a drum circle on the beach on Sundays.
Suzanne, now in her late 50s, was last reported to be making a new life in Santa Cruz as a massage therapist. She is no longer homeless, and has plenty of Bohemian friends who love her.
"Suzanne is one of these rare souls who is actually sincere and cares about life and people and sees the world in terms of beauty," says her friend Raj. "A lot of people say that, but she's one of these people who actually lives it."
Dance on, Suzanne!


7 comments:
What a vision of beauty this woman conveys, thanks for the story, almost heart-wrenching, to want something so deeply and choosing to keep it alive, rather than destroy, as with the song, I sang to myself, as I read the awe-inspiring words, never having a clue to the meaning hidden within...thankful of the box of kleenex at my side...
This was so fascinating, Steph! I love this song, but had no idea of the real Suzanne. It's tragic to think of her, someone we all connected to, homeless and alone. It's good to know she is now among friends. I'm putting my Cohen album on right now...
Some disjointed thoughts:
Thank you for the research. I had never looked it up either. Somehow the story of her life after the song fits with the sweet sadness of the tune.
Yeah, it's Dee's song, or at least the Dee she was back then.
She invited me down to her place near the river, and she did serve me constant tea filled with little pieces of orange.
It was Constant Comment tea! I always wondered. Surely, that's what he meant, even though he got the name wrong. Think of all those times we sat drinking Constant Comment with honey, listening to "Suzanne."
I read a comment by Cohen years ago about how there was some problem with the copyright for this song and he didn't get any royalties from it. He said he was in Greece and heard a bunch of fishermen on a boat singing it and decided that was the way it should be. The song belongs to the world.
Sweet Repose: It's a painful, sad beauty, but inspiring because Suzanne demands no less from herself than living her own truth. She is one of those rare people who realize that our life is our great masterpiece. In recent years I've missed people like that, but then I met you and Willow!
Willow: Last night I realized that for three years I lived less than an hour away from where she lived in her camper. Had I known, I would have tried to find her. and would have taken her some groceries, cat food, and flowers.
Deni: I got that he meant CC tea too. I know it was a popular tea back then, but reading that made me feel more connected to the song. I'm glad to read about Cohen's philosophy about the royalties. I've always felt folk music belongs to the folks. But then, you and are just old folkies anyway.
Beautiful story!!!!! And yeah, I've always loved the song!!!!
Wow.. what a wonderful post. I grew up in Montreal and was very familiar with Cohen and his poetry, writings and music. I never knew the background of this song.. I never even questioned it. Very interesting. Thanks.
I've always loved that song but never knew the story. Thanks for sharing.
James Taylor's cover of "Suzanne" isn't bad.
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