Saturday, February 27, 2010

Some Gifts Make Me Cry

This man was so in control of his instrument, it's amazing. Please watch all the way through for his incredible solo work.

Jimi hendrix was once asked, "What is it like being the greatest living guitarist?" Jimi looked up and said, "I don't know. Ask Rory Gallagher that question, sir."

That says it all for me.


Rory Gallagher
1948 - 1995
______________________________
Gallagher was always associated with his well-worn sunburst 1961 Stratocaster, which his brother Donal has officially retired. It was reputedly the first in Ireland, and was ordered from Fender by Jim Connolly, a showband member performing with The Irish Showband. Connolly ordered a cherry red Stratocaster through a music shop in Cork. When Fender shipped a sunburst Stratocaster instead, it went on sale as a second-hand instrument, which Gallagher bought for just shy of £100 at Crowley's Music Store on Cork's McCurtain Street. The guitar was extensively modified by Gallagher. The tuning pegs, for a start, are odd (5 Sperzel pegs and one Gotoh), and all of these have been found to be replacements. Secondly, it is thought that the nut has been replaced and interchanged a number of times. Thirdly, the scratchplate was changed during Gallagher's time with Taste. Another change was made regarding the pickups, of which none are original. The final modification was that of the wiring: Gallagher disconnected the bottom tone pot and rewired it so he had just a master tone control along with the master volume control. He also installed a 5-way selector switch in place of the vintage 3-way one. The most notable effect that years of touring have had is the almost complete removal of the guitar's original sunburst finish, due to Gallaghers rare blood type which caused his sweat to be unusually acidic. Although the Strat was left abandoned in a ditch, in the rain, for days after being stolen, this isn't believed to have caused any of the effect. All of the wear is caused by playing, not misuse. It also had a period of time of having a replacement neck, with the original bowing due to the amount of moisture it absorbed during continuous touring. The neck was taken off the strat and left to settle, and was eventually reunited with the Strat after returning to its correct shape. Other quirks include a 'hump' in the scratch plate which moves the neck pickup closer to the neck on the bass side and a replacement of all of the pickups, though this replacement was due to damage rather than a perception of a tonal inadequacy. One final point of interest is that one of the clay double-dot inlays at the 12th fret fell out and was replaced with a plastic one, which is why it is whiter than the other clay inlays. (Source: Wikipedia)

Thursday, February 25, 2010

No Mercy

The other evening Nettl observed that I spare no mercy when dealing with my characters. That I allow bad things to happen to good people. It wasn't a criticism. It was in fact meant as a compliment.

It's true. I write what I know, and life has never spared me. Let's face it. Life is no respecter of persons, and as Keith Richards says, "Shit happens, man."

I think that books in which all the good people win and all the bad people get their 'just desserts' are, frankly, boring. Life just isn't that way. I don't go out of my way to make bad things happen to my good characters--that's just as trite. I just let the story happen, and then report it. My goal is to create a realistic story the reader can enjoy as well as learn from. That's what I believe life is about anyway, so why would my creative expression contradict my basic philosophy?

I was part of the Sixties, but I don't think I could have survived a party at, say, Brian Jones' house. I liked a little pot, a little 'shroom action, and in the 70s I enjoyed a snort when someone offered me some, but I didn't like acid, and I never considered heavier things like smack. The idea of partying with people like the Rolling Stones and their friends scares the crap out of me. I saw all that stuff, but it was a downer. People lost their sense of humor and that turned me right off. There's nothing more boring than an addict, even if they're dressed in silk and velvet rainbow paisley and flattened out on the floor of a mansion.

If I'm struggling with this story at all, it's in creating bad people and then developing them. Although I've met my share, I don't 'get' them. What's the point of being a jerk? I've never understood that kind of self-loathing. I've been on the receiving end enough though, so I have to write from past experience. But even then, I tend to analyze people, which causes me to want to understand rather than retaliate. I'm finding that while analyzing my characters I need to draw a blindfold over my tendency to forgive them. So far, they're sitting there, waiting me to pump some blood into them.

February 25th, 1943


“Reality is a concept.
Everybody has their own reality
(if they are lucky).
Most people's reality is a great big illusion.
You automatically have to succumb
 to the illusion that
'I am this body'.

I am not George.
I am not really George.
I am this living thing that goes on,
always has been,
always will be,
but at this time I happen to be in 'this' body.

The body has changed;
was a baby,
was a young man,
will soon be an old man,
and I'll be dead.

The physical body will pass
but this bit in the middle,
that's the only reality."
(George Harrison)

Happy Birthday, George.

Wednesday, February 24, 2010

Bloomin' Boomin' Books

Well, I saw it coming and there was no way I was going to be able to stop it. This story I'm writing is going to have to be a trilogy. And to make the first book, which takes places from 1977 to 1984, I have to simultaneously write the second book, which takes place from 1967 to 1977. I'm already into the second chapter of Book 2 and I'm enjoying going back and forth between the two.

All this being said, I have this song in my head (it appears in chapter 1 of Book 2), and I HAVE to share it with you.

Man, I've always loved John Lee Hooker. Something about him just makes me wish I could have met him. Damn. Anyway, enjoy this and, hell, get up off your bum and dance! Yeah, right there in your cubicle, at your desk, in your living room--I don't care, just turn it up loud and dance. Maybe we'll start a revolution!


Tuesday, February 23, 2010

Leaks, Dreams, Cats

For the past couple of nights I've dreamed of leaky roofs. When I looked up what this meant, I read, "The roof leaking... shows that higher thoughts assembled by the subconscious mind are coming down to you, or they will be coming to you."

This makes perfect sense to me because I'm currently writing this book and since, both of the dreams took place in Gordon Hammond's house, I take the dreams to mean that I'm gaining more insight into his life (a house represents a person's life). I think this is pretty damned cool.

I've enjoyed 12 hours of uninterrupted writing (except for dinner and my after-dinner nap), because today I finally gave in and gave the cat her Bistro feeder. We didn't let her have it before because we suspect she might overeat, get fat, and wind up with diabetes. She's part feral, you see, and she tends to gorge until she barfs.

Today I came up with a compromise. Besides her regular feedings at 7:30 am and 5:00 pm, I put her feeder down at noon, and again around 11:00 pm. It worked. Her aggressive behavior stopped immediately and she is the picture of the contented cat. And I have been able to write without having to jump up every five minutes to pull her out of the plants, get after her for scratching the furniture, and chase her off of the kitchen counters, or out of the pantry (she's learned how to open the doors).

It's been a good day. I didn't feel like I was running a kitty daycare for wayward, bratty monster cats.

Monday, February 22, 2010

10 Happies

My plan for today is to spend the entire time writing. Some things came to me late last night, but I was too tired to get into them. Isn't that always the way?

Meantime, here's a little thing that Jaq devised. He said he wouldn't mind it spreading around, so use it if you feel so inclined. It's called 10 Things That Make Me Happy. Please assume that my family and music are automatically at the top of the list. Also, these are in no particular order.
  1. When the pantry and fridge are full.
  2. Hot tea and bickies on a gray, cold day.
  3. Having my hair brushed.
  4. Watching snow falling.
  5. Friends dropping in without notice.
  6. A hot bath with candles, wine, and my MP3 player.
  7. The fragrance of a freshly mown lawn.
  8. Sitting on a bench on the Embankment, in London.
  9. Walking around Vienna, with one large beer in me.
  10. When someone else's dog really, really takes to me.
Have a day!

Sunday, February 21, 2010

Over, Under, Sideways, Down

Last weekend I took apart Nettl's laptop to see why it wouldn't start up. Turned out the problem was a bad powermahoochie, so I put it all back together. A few days later a new powermahoochie arrived in the post and voila! the laptop worked. The problem was, the keyboard was dead.

There was no way I was going to get into it again then, but today I took the keyboard out and discovered that I'd put the keyboard cable in upside-down. Doh! So I put it in correctly and it's working perfectly.

On to other, more fascinating subjects.

Great thunderstorm on Saturday night, snow on Sunday night, then cleared. Played PC games, hit the drama button a couple of times, drank way too much Sunny Delight, and now I'm preparing to write about Sookie.

Aren't you absolutely enthralled with my weekend?


The title is taken from the Yardbirds' song.

Saturday, February 20, 2010

A Dog Just Having a Snack

This is a video a friend of mine made. It's one of the funniest things I've ever seen. Sorry there's no preview picture.

video

Many thanks to John Spohn for allowing me to use this.
Please do not steal it! If you want it, PM him in Facebook.
(I've urged him to YouTube it...)

Friday, February 19, 2010

Coffee, Tea, or Blah

For some reason, I've woken up every morning this past week in a funk. Nothing serious, just a mild, temporary depression. There's no reason for it; life is better than it has been in years, the kitchen's stocked, and I'm creative again.

As soon as I have my first coffee it goes away, but that initial twenty minutes is hell. Come to think of it, it happens when I wake up from a nap, too, and only a good cup of tea can chase it away.

Is this something that has to do with age? God, I hope not. Being an optimistic sort, I'm going to say that it's this winter weather.

I worked on a client's site last night from 9:00 to 4:00, and there's still so much to do. That's a good thing, by the way. I'm definitely spending my weekend writing though. Last night I dreamed of one of my characters on stage. I was watching him play, which was really informative. I may have to fit that into the book somewhere.

Earlier, during an evening nap, I dreamed I was at his house, walking around. I recognized some of the rooms and saw others that I hadn't yet created in my mind. All this is really cool stuff, I think.

Yesterday, Ville suggested I write a prequel when I'm done with this, and I think it would be a really interesting story. Who knows? I just may wind up being the first author to write a Rock trilogy!

Thursday, February 18, 2010

Common? My DLL Isn't Common!

Well, I've run into a few snags with Windows 7. I should never attempt to solve a computer issue before I've had at least two full cups of coffee. I cannot adjust my sounds or mouse, my desktop gadget bar keeps crashing, and if I turn off my computer, I have to reboot our wireless modem to get back online. These aren't big things, and I'm assuming there's an answer. The problem is, I'm only halfway through my first cup of coffee. I get an error message telling me that a common DLL has stopped responding. I looked online, and it seems other people have had the same issue--which they've solved. Obviously, their brains work better than mine does. If you have had this problem, please let me know in idiots' terms how to fix it.

Ville had surgery on her shoulder yesterday, and I'm going over to her house today  to keep her company. I hope I can get online over there.
___________________________
Update: Well, my laptop connected to Ville's wireless modem as soon as I turned it on, so the issue is with our modem, not my computer. Looks like I'll be phoning our service for a new modem tomorrow.

Wednesday, February 17, 2010

I Won't Let Go!

After a 12-hour download and a 3-hour installation, my Vista Titanic has been replaced by Windows7. Do you know what this means to me? It not only means no more of those system crashes that wiped out an entire chapter before I had time to save, it means no more embarrassing crashes while I'm on the phone with a client, working on his website. It also means that I have my beloved Chrome back. I used to be a died-in-the-wool Firefoxian, but not after I experienced the speed of Chrome. The problem was, it conflicted with Vista, causing a slew of problems. Last week, I finally had to uninstall Chrome, and man, did I ever see a difference.

Anyway, it's a quarter after three and I feel like celebrating, so I'm pouring myself a glass of wine and toasting mein Feen Gottvater. Cheers, mate!

Monday, February 15, 2010

Sixties Faces: John Lennon

If the Rock music world gave its people names like Hollywood did its Golden Era film stars, John Lennon would have to be dubbed "The Great Profile", à la John Barrymore.

Since 1964, when I saw this profile shot of John singing "I Should've Known Better" in the baggage cage of a train in the Beatles' first film, A Hard Day's Night, I was hooked on his face. Before then, I'd never really noticed his looks. Unlike most Beatles fans, I was actually listening to the music, learning their songs on my guitar.

As the Beatle years progressed, John's face grew ever more distinctive. That stern nose with the sneering curl on each side, the quick eyes, the intellectual, sarcastic wit that showed--all the components of John's face made him a fascinating person to look at.

To me, his face was ultimately intelligent, and while the other Beatles' faces were cute, sexy, and doleful, John's had a light that bespoke the genius that lay beneath the moptop hair and the flashing photo op smile.

I find it difficult to understand why he had such a complex about his looks; he felt he was ugly. Man, I wanted to look like him, and in some early pictures I kind of did.

This is my favorite Lennon look. I liked it so much, in fact, that in 1973 I started going out with a guy who looked pretty nearly identical. (sidenote: we later married--he was Micah's dad.) This Sgt. Pepper era look epitomized everything that I liked about John Lennon. I had a special affinity with him, you see. We were both Libras and when I learned what that meant concerning personality traits, John became my role model. If I was going to be a Libra, I was going to be that kind of Libra, damn it!

I always thought that John looked kind of like Groucho Marx, who also was a Libra.

 John was a man of a million faces. Throughout his life his appearance changed whenever he made changes in himself. As if his face was his living canvas, he painted his personal evolution in his hair, spectacles, and facial hair styles. I never tired of watching the parade of "images" as they came and went. He understood living life as art and the artist as art. While it's true that John sometimes adopted looks that I (as someone on the outside looking in) couldn't understand at the time--when he and Yoko shaved their heads, for instance--I grew up and faced my own hardships. I came to understand that sometimes life can bring us to a point where we can either slit our throat or shave our head.

I can't help but wonder what John would look like at his upcoming 70th birthday this year. Although he'd moved beyond the long hair, I imagine his hair long all the same, white and shining. For some reason I see black plastic half-glasses, and a shaven face.


And always, always, I see him smiling.

Sunday, February 14, 2010

Man and the Apple

Last week, RW issued a writing challenge, and of course I just had to accept it. The rules were simple:

"Minimum 1600 words / maximum 1700 words on an old man eating an apple. You tell us why it is important."

Because I like working from pictures, this is the one I selected, and here is what I wrote:

Bernie hadn’t eaten a friggin’ apple since the summer of 1994 when he’d splurged a bundle on a vacation rental for his family out on Long Island. Between him and his wife, Myrna, their two grown kids, spouses and three grandkids, there were nine of them stuck for two weeks together in a three-bedroom place that hadn’t been decorated since 1985. God, he hated that pseudo-Santa Fe crap. All that Pepto-Bismol pink and those friggin’ rubber cactuses. Looked like a goddamn Sizzler

Myrna and the girls had gone shopping in the village, leaving Bernie, his son Arthur and his son-in-law Paul, to watch the kids—not something he appreciated. He’d spent his whole adult life loading three-piece suits and silk blouses into the drum of the dry cleaning unit at work, and he’d faithfully stuck ten percent of his net into the savings account each and every Friday. It didn’t look like much at first, but it gradually built up into a nest egg that he was proud of, one he couldn’t bring himself to dip into, even when Arthur needed braces, or when Judy got married. He’d rather take out a high-interest loan than see the numbers in his bank book go down.

He’d reached the age when men start wondering just how much time they have left, and having just turned sixty-six, he knew that it wasn’t looking good. Sitting in one of the white Adirondack chairs on the front lawn, absently fingering the paint that was peeling off of the arm, Bernie watched the cars go by on their way to the beach, the village, or just on a joy ride.

He hated that his body was falling apart. Even in the humid August heat his joints hurt. Goddamn arthritis. Goddamn dry cleaning. One of the apples Myrna bought the day before had left one of his teeth loose and he couldn’t leave it alone as he sat there, his tongue pushing it back and forth, in and out. Goddamn dentures. He didn’t have them yet, but he knew the day was coming just as surely as he knew he’d never make love to his wife again. Getting old was a lousy price for a man to pay simply for having been young, and not being able to get it up was a hell of a reward for having followed the rules all of his life. Goddamn apple. The old story was true, he thought. Man falls from grace when he takes an apple from a woman, and taking the starch out of a man in the middle of the act was one of God’s cruelest jokes.

Arthur plopped into the other chair and handed him a beer. He took after Myrna’s father, with a belly that peeked out of the bottom of his too-small Hawaiian shirt and those boats that he called feet scuffling around with the flip-flap noise that his rubber sandals made. He knew his dim-witted son still got it up; where was the friggin’ justice? He shrugged, guessing that in exchange for a stiff schwantz, God had given Arthur a limp mind. If Bernie had been given the choice, which would he have taken? He mulled this over as the cars drove past, the kids screamed, and Arthur scratched his belly.

Here he was, retired for a year and sitting in the yellowing front yard of a house that didn’t belong to him. The house didn’t even have cable for godsake and he was too old to walk to the beach and go swimming. If the walk there didn’t kill him, the trek back up the friggin’ stairs that scaled the cliff would. What was an old man supposed to do out here, anyway, besides yell at the kids when they started fighting, and think too much? He’d worked how many years for these two weeks?

If he were just ten years younger he’d be in the surf, or he’d be fishing. He be grilling in the back yard and playing badminton. He’d certainly be waking Myrna up in the middle of the night. Instead, here he sat, drinking beer and growing more depressed by the minute. It’s not good, he thought, for a man to have this much time to think. It always leads to realizing how futile everything is.

In his dreams at night, he was in his thirties—at his peak—but when he awoke and got up to take a pee he was forced to recognize that he was stuck inside the body of an old man. He thought that maybe the reason people identify less and less with their bodies as they get older is because they’re getting ready to leave them. Even a new Benz gets old and frumpy after a while and you trade it in on a newer model. Like I was ever a Benz… But there I go again, he chided himself. Too much time to think. He took a swallow from his beer and watched while a group of pretty college girls in bikinis walked by, talking and giggling, and tossing around a couple of colorful beach balls.

Myrna was still a good-looking woman, and though he wasn’t much of a groom anymore, he still thought of her as his bride. They had a good marriage, had seen good times and bad and she had an insight into him that had always baffled him. More than knowing what he wanted, she knew what he needed. “You’re a good sport,” was one the little endearments he’d always said to her, and it was true. She never minded that he was only a dry cleaner, or that the closest he’d ever gotten to a three-piece suit were those he put in the drum. And every New Years’ Eve without fail, she put Frank Sinatra’s “Mr. Success” on the hi-fi.

“Come on, Bernie,” she’d say, swaying in front of him, her ass as ripe as a peach, “Dance with me.” Regardless of how he felt about the failures of his life, to Myrna, Bernie was Mr. Success.

She’d insisted on going into the village to buy pears, peaches and bananas. Soft fruit, she called it.

“Your father needs his soft fruit,” she’d said, “to keep him regular.”

Soft fruit. Feh! Women complain that everything goes south as they get old, but with men, everything goes soft. The belly, the ambition, the prick, even the gums. All this Bernie thought as he sat pushing his loose tooth back and forth, in and out, sending waves of co-mingled pain and pleasure through him. Goddamn it, he thought. This is what I’m left with. Arthur burped and unbuttoned his shirt, opening it up so that the sun could hit his white, hairy chest and belly.

“Jesus, Arthur,” Bernie muttered.

Dinner that evening was poached salmon with boiled potatoes and Russian rye rolls. Dessert was rice pudding. Soft, he thought. Everything goes soft. Later, he was wakened by the sounds of his son schtooping Linda, in the next room. He might have been able to get aroused by the bed hitting against the wall if it wasn’t Arthur in there giving it to her. The idea repulsed him, never mind the image that came to his mind.

“Soft,” he said under his breath, and he turned over and went back to sleep.

Bernie sat in his favorite chair watching The Price Is Right. On the table beside him sat the TV guide from last Sunday’s paper, the daily crossword, a glass of flat club soda, the remote, and a small brown bowl of prunes. Retired life might not have been so bad if there was something he could actually do with all the free time he’d worked so hard for.

When he was young, he’d envisioned himself and Myrna buying a full-dressed Harley-Davidson and going cross-country. They’d see what lies beyond New Jersey, for godsake. Little did he know that by the time retirement comes, a man’s too worn out from punching the time clock and eating two cheese sandwiches at noon to want to go anywhere. When a young man thinks about retirement, he thinks of himself as he is, not as he will be when everything goes soft and he hurts all over. It isn’t the actual work that wears you down, he thought. It’s the friggin’ grind, the sheer monotony of it all. And a motorcycle at their age? He’d laugh if he could, but he was out of Fixodent and he didn’t want his dentures to fall out of his face. He heard someone come in through the front door.

“That you, Myrna?” he called, although he knew from the distinctive sound of her keychain that it was.

“Yeah, it’s me,” she answered as she came into the room carrying a paper sack. “I picked up some more denture adhesive for you, and your new prescription,” she said, reaching into the bag and handing him a tube and an amber-colored plastic bottle.

He looked at the label of the bottle, which read, Viagra. He hoped the doctor was right about this new drug. It sounded too good to be true.

“I got you some fruit, too,” she added, and pulled out a perfect Red Delicious apple. As she went up the stairs she turned and looked at him, smiling over her shoulder. “I’ll be waiting for you, Mr. Success.”

Bernie opened the bottle and swallowed one of the little blue pills. He removed his dentures, applied some of the adhesive to them and put them carefully back into his mouth, biting down until they were secure. He then picked up the shiny apple and bit into it.

 ______________________________________
To read the other submissions, click here.

Saturday, February 13, 2010

Give Me An Ask - The Answers

Last week I invited you to ask me anything, in celebration of the eighth anniversary of Jacquandor's blog, Byzantium's Shores. Here are the questions I received, as well as my answers.

KATHY ASKS:
Where was that picture taken of you standing on a cliff with your arms out? It's a cool picture!

It was taken on a ledge on the eastern slope of the Rocky Mountains above Golden, Colorado, with Denver and the Great Plains in the background. The whitish structures on the left are the Coors brewery. Hey, take the tour, get two free beers fresh off the line, and you'd stand on that ledge too!

Are you ever afraid of people?
Hell, no. I've never been afraid of anyone, although when I was a child the bullies could intimidate me. But afraid of people in general? No way. I love people, and those who don't like me can bite me. I am afraid, however, of what some people could do to me, but I also believe that if I thought about it (or, as I say, give it the breath of life), I could attract it, so I just don't allow it into my life. Every morning of my life I ask myself, "What am I going to function from today, love or fear?" and the answer is always the same: Love. I refuse to be a victim. As Ruth Gordon said, "Don't be helpless. Think about it." I've repeated that simple quote countless times since I read her autobiography many years ago. (This means that those obsessed visits from Pagina don't mean shit to me.)

B.E. EARL ASKS:
How are you related to Mark Twain? That's pretty cool.

Yeah, it's cool! My mom "made" me read Huckleberry Finn when I was 8, and I had to have one of his books going at all times after that. I thank her for my love of reading, and him for my love of telling a good story. He was my maternal great-grandmother's cousin, which makes him my first cousin thrice removed.

JACQUANDOR ASKS:
Do you create characters first, or situation?

It depends. The major characters in With A Bullet came first, and in Night Music, they certainly came first. But the secondary and lesser characters are nearly always created to fulfill a particular role in the story.

Do you primarily type or work longhand?
I never work longhand because it's too slow and I lose important ideas. I use my laptop exclusively. I do keep a notepad handy, though, for little flashes of insight.

Do you outline your stories or just plunge on ahead?
I always start a book by plunging first, but then I'm forced to make an outline. It's always open to revision though.

How often do your characters surprise you by becoming something you didn't think they'd be?
Quite often, because they're constantly revealing themselves to me. The revelation that Jason's mother is Indian was a huge surprise! Also that Gordon loves children and enjoys scuba diving. Whoda thunk!

How do you avoid telling people who say they don't like Mozart that they're complete weirdos?
Fortunately, I've never run into this person! If I did, I'd just shrug and say something like, "What have you listened to?" If they've really listened, I'd let it go, but if they hadn't, I'd tell them to give a particular piece a try.

VILLE ASKS:
Do you write in sequence, or do you write scenes that may come later in the story?

I don't write in sequence. I write whatever scene is brewing in my mind. Sometimes I write a light scene if I've been working on a serious one too long, and sometimes I write a scene that I'd like to be part of. Sort of a constructive daydreaming. Later, I take on the task of continuity.

Are you a looker or a feeler?
Definitely a looker.

ELIZABETH ASKS:
Were you William Kapell in another life? I heard you believe in reincarnation.

Mother Mary comes to me... Yes, I am a devout believer in reincarnation, but I do not think that I was William Kapell. I looked into it several years ago, but there weren't any compelling connections between his life and mine, and the person who might have had the answers treated me so badly and hurt me so deeply that I dropped my search. All I have is a sort of affinity with airline crash victims, but that hardly quaifies. If I was him, then it's too painful to deal with at this time, thanks to a false friend.

Thursday, February 11, 2010

Black and White Visions

I'm a sucker for black and white photography when it comes to portraiture. There's just something about it that makes me zero in on the subject's mood. With color portraits I see the background, the fabrics, the skin tone, etc. Here are some great portraits.

 Bob Dylan, Paris 1966 - Claude Azoulay
 
John and Yoko, Cannes 1971 - Claude Azoulay

 
Ray Charles, Paris 1961 - Claude Azoulay

David Bowie, New York City 1996 - Albert Watson

Keith Richards, New York City 1998 - Albert Watson

Naomi Campbell, Palm Springs 1989 - Albert Watson

Bobby Kennedy - Lawrence Schiller

John Lee Hooker - Mark Seliger

Tom Waits - Mark Seliger

Cuba Gooding, Jr. - Michael Tighe

Elizabeth Taylor, L.A. 1989 - Michael Tighe

Rue Paul and Dr. Ruth, New York City 1998 - Roxanne Lowitt



Photographs from
The Young Gallery


Tuesday, February 9, 2010

Creating Characters

On Facebook the other day, I left a status message asking, "What shall I write today?" Sue, at Back Door Logic left a comment, asking me to write about how I create my characters.

First of all, I have to explain that With A Bullet is my first fiction. Night Music is an historical fiction, which means that I took actual people in history and built a story around them based on known facts, but adding enough fiction to make an entertaining story. As pure fiction, my current project requires that I not only invent a story, but the people in it as well.

I wish I could tell you that coming up with characters is a lot of work for me, requiring hours of soul searching and plot analysis, but it just isn't true. My characters spring to my mind as I need them, and they're largely in tact when they appear. But like any friendship, I spend a lot of time listening to them tell me about themselves. For instance, just yesterday, Jason informed me that his mother was from India, was schooled in England, and married an English schoolmaster. This explained his looks; I couldn't figure out why he didn't looked thoroughly English to me.

At their most basic level, my main and secondary characters are built on real people, but as they develop, they become composites of several. By the time they're fully developed, they may be made up of as many as five people. With A Bullet is about the music world of the late 70s and early 80s, so the story deals with celebrities and rock stars, which means that I've built some of my characters around the personalities of actual people in music at that time. To keep the book from becoming so-called fan fiction, in which writers write about a rock star, but make no changes outside of giving him or her a different, usually transparent, name, I've placed my characters alongside real-life stars. For instance, Gordon, who was a guitar icon in the late Sixties, is friends with Eric Clapton, Jimmy Page, George Harrison, etc., although these people never actually appear in the book. Gordon himself is a composite of a couple of guitarists I've known through the years, as well as a couple of rock stars. But that only makes up about a quarter of who he is. The other three-quarters is development, which is imagination combined with culture, astrology, and human psychology, tools I use with all of my characters.

Some characters are invented singularities, based on no one at all. Roles present themselves--a character's parents, for instance--and I think about my character's issues and work backward to give him or her the parents he or she would most likely need in order to acquire those issues.

In this book, I'm trying something new, just for the fun of it. I have a couple of characters that are based on people who have asked to be in my novel. This has been entertaining, but I'm afraid that as they've developed, they've become less like the person on which they were originally built. I get to writing and things just come out that I don't care to change. I think they'll see themselves in the core personalities though.

Something that has really helped me is the character questionnaire that I worked up, as well as combing the web looking for pictures of people who look like my characters in some way. I take the pictures into Photoshop and work with them until the original subject looks exactly like the face that's in my mind. I only use these for my own reference; often, when I'm stumped about what a character would say or do in a situation, I sit and look at them and the answer always comes to me. As for the questionnaire, well, that's worth its weight in gold.

Mostly, my ability to create characters comes from having met so many different kinds of people throughout my life, of traveling and experiencing different cultures, and of simply having lived enough life for several lifetimes. It helps that I really like people and am not generally fearful, biased or judgmental. I let people be what they are--I have no desire to change anyone. Perhaps it's openness that encourages characters to come forward and talk about themselves. Whatever it is, it works for me.

Monday, February 8, 2010

Give Me An Ask

Way back when blogs were young, there was a meme that went around, one that most of us forgot over the years. Except Jaquandor, over at Byzantium's Shores. Every year, he celebrates the birth of his blog during the month of February by bringing the meme back. It's called, "Ask Me Anything", and I thought I'd open it up to you here on my blog. Here are the rules in the master's own words:


"Anything goes -- anything you're curious
about or want to challenge me on. Or if
you just want to ask something silly."

Jaq keeps his question box open for a few weeks, but I'm not as patient a soul as he is. I'll accept questions until I have enough to make it fun. Just leave them in the comments of this post.

Sunday, February 7, 2010

Tired Writer on Board

I can't even begin to tell you all the things that have been going on in connection with last week's Mind Meld Marathon. It will be enough to say that I have safely delivered my character, Gordon, of the ghost of his late wife, Felicity. Well, not ghost in the literal sense, but in the psychological sense. You know.

There was a lot to writing this. Going back to my own experience of being widowed while still so young helped, but it's always painful to open a wound, especially one that you thought had healed. Actually, it had healed, but as a writer I just had to go and pick at it.

Writing is so masochistic.

I also wrote a chapter that explains what it was in Jason's childhood that made him the kind of man he is in the present tense of the book (1978-1984). That one will not be easy for my readers who have soft spots in their hearts for cherubic little Anglican boys with red cheeks, saucer eyes, and rosebud lips, dressed in red robes and white lace and singing in the chancel choir. Oh yeah. Buy the Kleenex.

Added to this is an online friendship I have struck up with a musician whose music helped me write all this stuff--two full chapters--over the course of a few days. I'm pleased to say that he's as intelligent and sensitive off the record as his music is, on, and I hope we continue getting to know each other. He has something you don't see very often in the business. It's called a soul.

I was so tired yesterday that I did little else but swear at my laptop. For some reason, my Vista decided it no longer liked Google Chrome, and kept shutting down until I got the message. I'm looking for a Windows 7 Home Premium Upgrade online, but I can't afford to spend one-hundred dollars or more, and I can't wait until someone sends me a disk and key, so I'm checking Ebay every day for a download that I can utilize as soon as the payment is processed.

So today, what shall I write? Definitely something light.

Thursday, February 4, 2010

It's Easier When Your Subconscious Does It

For the past two nights my characters have dominated my dreams. Well, two of them so far.

Night before last I spent my entire dream state with Gordon. We were in the lobby area of a large hotel that looked like it had been designed by Frank Lloyd Wright (something like this). We sat together on a sofa and spoke a great deal with each other, and he even taught me a couple of guitar riffs. I was vividly aware of the timbre of his voice, his laughter, the texture of his hair, and the agility of his hands as he played. He was a fascinating person, and I was a bit miffed when my dreaming began sliding into wakefulness. There was so much more I wanted to ask him.

Last night I dreamt of Jason. He was on some kind of talk show business, and he asked me to come along, that we'd get something to eat afterward. He was kinetic, always moving, and the makeup person had a hard time getting him to stand still. I vividly remember the sheets of tissue paper that she stuck in his collar, like they do. I watched while he was on camera and I was impressed with how natural it was to him to be a celebrity. Later, we spoke, and he told me about his baby sister and how her death affected him and his ability to form lasting relationships. He had a great sense of humor and made a complimentary comment whenever a woman walked past us. He told me he was going to buy a house in the L.A. area and would like me to come look at it and tell him what I thought. The house was a small, stylish bungalow with white plantation shutters, palm trees, and a turquoise pool (a LOT like this). I told him I loved it. He smiled and said, "It's yours then."

I wonder which one I'll dream about tonight. I hope this continues, because it's a lot easier than developing my characters consciously.

Wednesday, February 3, 2010

Going Up in a Festering Heap

In just a few days I'll be able to order Windows 7 from Ebay, and I can push the button on Vista.

I don't know about you, but I think that when a company as successful and far-reaching as Microsoft puts out a product as bad as Vista, they should be required by law to stand behind their product and make good on it. It's not right that they got away with this one.

I'm so tired of the blue screens, the crashes, and the auto-restarts that I really want to throw my laptop out the window. Except that I know the laptop itself is a great machine. It's just Vista.

I thought of writing a letter to Microsoft--a real letter, not an email--and complaining so vociferously that they might, just might, consider sending me Windows 7 free of charge, but I know better. Ole' Uncle Bill didn't get to be richer than God by playing fair.

Tuesday, February 2, 2010

"How Squalid Everything Will Be"

I love meeting new people, and I especially love meeting people that condone and agree with my philosophy that Life doesn't imitate Art, Life is Art. In Ventura, I was used to people dressing and carrying themselves like they are a canvas that demonstrates for the world who they are at their creative best. From Lucy-in-the-Sky, a friend who owns a trippy children's hair salon, to Captain Cookie, who owned City Bakery, to Maestro Salazar, who was an expert in the lifestyle, I mingled with colorful characters who believed that whether we are hairdressers, bakers, or classical musicians, we're all artists when it comes to how we live our lives. I ran around dressed like a modern Amadeus, sporting a floor-length black wool cape, poet shirt, and dressage boots. If I miss any one thing about California, it's that. Maybe it's because Ventura is only 45 minutes north of Hollywood, but we all grew up living as if there was an invisible movie camera following us around. Reality TV? That concept isn't at all new to us. We were born to it!

Last Sunday evening we were invited to our neighbor's house for a small dinner party. I say small--there were only five of us--but the house was full-to-bursting with personalities that were larger than life. There was Nettl and I, of course, writers and musicians, nut cases to a lot people in the world. There was the host, Matt, a director, voice coach, and professor in the theater department, who loves to surround himself with strong characters and then watch them interact. He also loves to cook, and his food is 5-star restaurant quality. It should be, his father was a chef. His friend, Lucy, was there: a rude, spoiled rotten, narcissistic young woman with a razor fence around herself, Justin, a gentle guy who reminded me a lot of my character, Gordon. And then there was Allie, a drama major at the university who'd stepped right out of  a Fellini film. Dressed in a vintage black lace cocktail dress, her platinum hair styled like Brigit Bardot (with makeup to match), Allie was the jewel in the evening's crown.

Matt's table is always casual, with miss-matched chairs and never enough spoons, but it never fails to generate fascinating conversation and ideas. We all drank, ate, and smoked too much, but it was a night that could have inspired Dylan himself. From telling Lucy where to get off to discussing everything under the sun, we had a great time.

Sometimes Stillwater surprises me. Once in a while it coughs up people I don't expect, people who know how to live Life as Art.
"Salvation doesn't lie within four walls. I'm too serious to be a dilettante and too much a dabbler to be a professional. Even the most miserable life is better than a sheltered existence in an organized society where everything is calculated and perfected." (From La Dolce Vita)

Monday, February 1, 2010

In Retrospect

This is a fun little home video I found. It's of George Harrison watching a clip of the Beatles singing "This Boy".

Just Sayin'